Lesley Green is the director of Environmental Humanities South. She is Professor of Anthropology in the School of African and Gender Studies, Anthropology and Linguistics at the University of Cape Town, South Africa, and was a Fulbright Fellow at the Science and Justice Research Centre at U C Santa Cruz in 2018.
Her work focuses on the intersection of science studies, anthropology, philosophy and research methods in the Anthropocene. Her book on six fields of environmental management sciences in South Africa, Rock | Water | Life: Ecology and Humanities for a Decolonising South Africa, is currently in press with Duke University Press. Previous publications include Contested Ecologies: Dialogues in the South on Nature and Knowledge (HSRC Press 2013) and Knowing the Day, Knowing the World (Arizona University Press 2013).
Frank Matose became Director of EHS in 2018, and is a senior academic within the Sociology Department of the University of Cape Town. His research interests are in environmental sociology with a particular focus on Southern Africa, placing emphasis on the intersection of local people, the state, capital, forest conservation, and protected areas. Interests in these areas are informed by intellectual projects around environmental governance, social justice, knowledge, and power relations.
He has been involved in these intellectual projects for more than 25 years of research within the Southern African environment, and is currently writing a book titled; Hidden Politics in Conservation: Forests and the Power of the Weak in Southern Africa.
His current research projects are on common access to natural resources for transformation and environmental justice as well as the militarisation of conservation in Southern Africa.
Hedley Twidle grew up on mining towns in remote parts of South Africa, and joined the English Department in 2010. I am now a senior lecturer in southern African and postcolonial literatures. Much of my research explores the difficult relation between postcolonial and environmentalist approaches in the humanities, and what questions of deep time, slow violence, climate change and the non-human do to literary form.
In work on writers like Rachel Carson and Arundhati Roy, I have explored the language of public science writing and environmental justice, tracing how unstable ideas of ‘conservation’, ‘ecology’ and ‘pollution’ might be engaged from the global South. Subsequent projects have focused on scientific projects and infrastructures - national highways; the Square Kilometre Array Telescope (SKA); landscapes of waste - as well as the ecological, social and cultural legacies of nuclear and mining industries in Africa.
I have a strong interest in the essay as a creative, experimental form, and I try to engage with and write more ‘public’ forms of scholarship. I am particularly interested in forms of environmental writing, and the intersections between creative non-fiction, global ecological crisis and the arts of environmental justice and resistance.
Ian-Malcolm Rijsdijk is a senior lecturer in the Centre for Film and Media Studies, and director of the African Cinema Unit at the University of Cape Town. He has published widely on the filmmaker Terrence Malick (the subject of his PhD), as well as South African film, wildlife documentary and literary fiction. He is currently working on early South African cinema and South Africa imagined in international films.
As Director of the African Cinema Unit, he teaches in the MA in African Cinema and is also involved in developing postgraduate scholarship in African and South African screen studies. He teaches a postgraduate course on Film and Environment and is a registered contributor to the South African Bird Atlas Project.
In 2013, he received a Distinguished Teacher’s Award from the University of Cape Town.
Virginia MacKenny is an Associate Professor in Painting at Michaelis School of Fine Art, University of Cape Town. A practicing artist she has received a number of awards including the Volkskas Atelier Award (1991), an Ampersand Fellowship in New York (2004) and a Donald Gordon Creative Arts Award (2011). She writes on contemporary South African art and presented papers at the Tate in London, and conferences in Mumbai, Paris and Madrid. A previous KwaZuluNatal editor for www.artthrob.co.za, she contributed to Sophie Perryer’s 10 Years 100 Artists – Art in a Democratic South Africa (2004) and regularly writes catalogue essays and for Art South Africa.
A critic and curator, in 2006 she co-curated with Gabi Ncgobo Second to None, an exhibition for Iziko South African National Gallery celebrating the 50th Anniversary of the 1956 Women’s March on Pretoria. She is interested in painting, gender and deep ecology and curated Threshold (2010) engaging artists in Southern Africa concerned with environmental and climate change issues. A book on the same topic is currently under production.
Her exhibition Waymarker (2012) responded to a 700 km walk across France during which she attempted to ‘tread lightly’ on the planet.
Lance van Sittert is an environmental historian based in the Department of Historical Studies and has published widely on South African environmental history including on the historical spread of conservation, wire fencing, artesian water boring and predator extermination in the South African countryside. He has also written extensively on marine environmental history including the origins of marine science and fisheries management and post-apartheid reform in the fisheries.
He is interested in the invention and imagination of ‘the environment’ as an arena of state and civil society formation and action. He explores the development, operationalisation and contestation of specialist bodies of ‘environmental’ knowledge and how these operate as mechanisms of social engineering and dispossession in the past and present. He is currently pursuing these lines of enquiry through histories of ‘environment’s’ excluded others; vermin, weeds, alien invasives, pathogens, poachers, etc.